Pdf Charles Harrison 2009 An Introduction to Art Yale University Press Isbn 9780300109153

Required Texts

Barnet, Sylvan. A Brusk Guide to Writing Most Art. seventh ed. Prentice Hall, 2002. ISBN: 9780321101440.

[Harrison] = Harrison, Charles, and Paul Wood, eds. Fine art in Theory 1900-2000: An Album of Changing Ideas. 2nd ed. Blackwell Publishing, 2002. ISBN: 9780631227083.

[Foster] = Foster, Hal, Rosalind Krauss, et al. Art Since 1900: Modernism, Antimodernism, Postmodernism, Vols. i&ii. 2nd ed. Thames and Hudson, 2011. ISBN: 9780500289518.

[Frascina] = Frascina, Francis, and Jonathan Harris, eds. Art in Modernistic Civilization: An Anthology of Critical Texts. Phaidon Press, 1994. ISBN: 9780714828404.

LEC #	LECTURE TOPICS	READINGS
Calendar week 1–Modernity, Modernism, Modernization
ane	Introduction to Theories of Modernism and Modernity	Berger, John. Capacity 1 and 7 in Ways of Seeing. Penguin Grouping, 2009. ISBN: 9780141035796. Optional View John Berger's BBC program, "Ways of Seeing," Episode one. 1972.
Calendar week two–Mass Culture and Revolution
2	Introduction to Theories of Mass Culture	Williams, Raymond. Entries on "Fine art," "Civilisation," "Masses," "Modern," and "Popular". In Keywords: A Vocabulary of Culture and Society. Oxford Academy Press, 1985. ISBN: 9780195204698. Williams, Raymond. "When Was Modernism?" In [Frascina].
3	Eugène Delacroix, or How to Imagine Liberty	Pointon, Marcia. "Liberty on the Barricades: Woman, Politics and Sexuality in Delacroix (1986)." Chapter 3 in Naked Authority: The Body in Western Painting, 1830-1908. Cambridge University Press, 1990. ISBN: 9780521409995.
Week three–Field Trip Field trip to the Boston Museum of Fine Arts to see Monet's La Japonaise (Camille Monet in Japanese Costume), 1876, and other paintings.		No readings
Week 4–Post–Revolutionary France
4	Caricature and the Safehouse of "High Art"	Merriman, John M. "'Philipon Versus Philippe': The July Monarchy and its Enemies." In The Pear: French Graphic Arts in the Gilt Age of Caricature. Edited by Elise K. Kenney and John M. Merriman. Mountain Holyoke College Art Museum, 1991.
v	Courbet, Realism, and Popular Images / ASCO preview	Schapiro, Meyer. "Courbet and Popular Imagery (1941)." In Mod Art, 19th and 20th Centuries: Selected Papers. George Braziller, 2011. ISBN: 9780807616079. Nochlin, Linda. "Courbet's Real Allegory: Rereading the 'Painter'due south Studio.'" In Courbet Reconsidered. Written by Sarah Faunce and Linda Nochlin. Yale University Printing, 1988. ISBN: 9780300042986.
Week 5–Manet's Realism and the Painting of Modern Life
six	Manet: Flâneurs and Flâneuses in the Modernizing City / ASCO	Baudelaire, Charles. "The Salon of 1846: On the Heroism of Mod Life." In Modernistic Art and Modernism: A Disquisitional Album. Edited past Francis Frascina and Charles Harrison. Sage Publications Limited, 1982. ISBN: 9781853960321. Clark, T. J. "The Painting of Mod Life," and "Preliminaries to a Possible Treatment of Manet's Olympia in 1865." In [Frascina]. Wolff, Janet. "The Invisible Flâneuse: Women and the Literature of Modernity." Theory, Civilisation and Society 2, no. 3 (1985): 37–46. Also available in: ———. Feminine Sentences: Essays on Women and Civilisation. University of California Press, 1990. ISBN: 9780520070745. Romo, Tere. "Conceptually Divine: Patssi Valdez'due south Vírgen de Guadalupe, Walking the Mural." In ASCO: Aristocracy of the Obscure. A Retrospective 1972 – 1987. Edited by C. Ondine Chavoya and Rita Gonzalez. Hatje Cantz Verlag, 2011. ISBN: 9783775730037. Chavoya, C. Ondine, and Rita Gonzalez. "Asco and the Politics of Revulsion." In ASCO: Aristocracy of the Obscure. A Retrospective 1972 – 1987. Hatje Cantz Verlag, 2011. ISBN: 9783775730037.
7	European Orientalism: Camille's Kimono and Gauguin's Skir	Said, Edward. "Orientalism." In [Frascina]. Expanded version bachelor in: ———. Orientalism. Vintage Books, 1979. ISBN: 9780394740676. Perry, Gill, Francis Frascina, and Charles Harrison. "Primitivism and the 'Modern'." In Primitivism, Cubism, Brainchild: The Early Twentieth Century. Yale Academy Press, 1993. ISBN: 9780300055160. Nochlin, Linda. "The Imaginary Orient." In The Politics of Vision: Essays on Nineteenth-Century Art and Gild. Westview Press, 1991. ISBN: 9780064301879. Spate, Virginia, Gary Hickey, and Claude Monet. "Introduction," "Modernistic Life. Modern Vision," and "The Forces of Nature." In Monet and Japan. National Gallery of Commonwealth of australia, 2001. ISBN: 9780642541352.
Week six–Impressionism & Photography
8	The Impressionist Eye as Camera	Baudelaire, Charles. "The Salon of 1859: The Modern Public and Photography." In Modern Art and Modernism: A Disquisitional Album. Edited past Francis Frascina and Charles Harrison. Sage Publications Limited, 1982. ISBN: 9781853960321. Varnedoe, Kirk. "The Artifice of Artlessness: Impressionism and Photography Reconsidered." Fine art in America 68, no. i (1980): 66–68. Too bachelor in: Perspectives on Photography: Essays in Honor of Beaumont Newhall. Edited past Peter Walch and Thomas Barrow. Olympic Marketing Corp., 1986. ISBN: 9780826308627.
Calendar week 7–Serialism & Semiosis
ix	Serial Impressions (Impress and Eye)	Eisenman, Stephen. "The Intransigent Artist or How the Impressionists Got their Proper noun." In [Frascina]. Isaacson, Joel. "Impressionism and Journalistic Illustration." (PDF - 1.7MB) Arts 56 (1982): 95–115. Goldwater, Robert. "fifty'Affiche moderne: A Revival of Poster Art Later on 1880." Gazette des Beaux Arts 22, no. 910 (1941): 173–82.
x	Picasso's Cubism: Politics and/or Semiosis	Leighten, Patricia. "The White Peril and L'Art negre: Picasso, Primitivism, and Anticolonialism." (PDF - 5.6MB) Fine art Message 72 (1990): 609–30. Krauss, Rosalind. "In the Name of Picasso." 1981. In [Frascina]. Expanded version available in: ———. The Picasso Papers. Diane Publishing Co., 1998. ISBN: 9780756760250. [Foster]. Vol. one, pp. 78–84 and pp. 106–17
Week eight–New Subjects for Modernity
11	The Soviet Avant-Garde	Benjamin, Walter. "The Piece of work of Fine art in the Age of Mechanical Reproduction." 1936. In [Frascina]. Greenberg, Clement. "Advanced and Kitsch." 1939. In [Harrison]. Crow, Thomas. "Modernism and Mass Culture in the Visual Arts. " In Mod Art in the Common Civilisation. Yale University Press, 1998. ISBN: 9780300076493.  [Foster]. Vol. ane, pp. 130–4 and pp. 180–five. Optional Gough, Maria. "Formulating Production." Chapter 3 in The Creative person as Producer: Russian Constructivism in Revolution. University of California Press, 2005. ISBN: 9780520226180. [Preview with Google Books] Kiaer, Christina. "The Socialist Object." Chapter i in Imagine No Possessions: The Socialist Objects of Russian Constructivism. MIT Press, 2005. ISBN: 9780262112895.
12	Futurism'southward and Dadaism'south Pop Mechanics	Marinetti, F. T. "The Founding Manifesto of Futurism." 1909. In [Harrison]. Jones, Caroline A. "The Sex of the Machine: Mechanomorphic Art, New Women, and Francis Picabia'southward Neurasthenic Cure." In Picturing Science, Producing Fine art. Edited past Caroline A. Jones and Peter Galison. Routledge, 1998. ISBN: 9780415919111. Freud, Sigmund. "Fetishism." In The Complete Psychological Works of Sigmund Freud, Standard Edition, Vol. 21. Edited by James Strachey. W. Westward. Norton & Company, 1976. ISBN: 9780393011289. [Foster]. Vol. 1, pp. 90–7 and pp. 172–9.
Week 9–Product and (Commodity) Fetish
13	In and Around Duchamp	Duchamp, Marcel . "The Richard Mutt Instance." 1917. In [Harrison]. Marx, Karl. "The Fetishism of the Commodity and Its Hole-and-corner." In Capital, Vol.1: A Critique of Political Economy. Translated by Ben Fowkes. Penguin Classics, 1992. ISBN: 9780140445688. [Foster]. Vol. 1, pp. 160–5. Optional Pietz, William. "Fetish." In Critical Terms for Art History. 2nd ed. Edited by Robert S. Nelson and Richard Shiff. University of Chicago Press, 2003. ISBN: 9780226571683. Wood, Paul. "Commodity." In Critical Terms for Fine art History. 2nd ed. Edited by Robert S. Nelson and Richard Shiff. University of Chicago Printing, 2003. ISBN: 9780226571683.
14	Irrational / Rational Production: Surrealism vs. The Bauhaus Thought	Breton, Andre. Excerpts from "The Start Manifesto of Surrealism." 1924. In [Harrison]. Bataille, Georges. "The Lugubrious Game." 1929. In [Harrison]. Gropius, Walter. "The Theory and Arrangement of the Bauhaus." 1923. In [Harrison]. Koss, Juliet. "Bauhaus Theater of Human Dolls." The Fine art Message 85, no. 4 (2003): 724–45. [Foster]. Vol. 1, pp. 191–v, pp. 196–201, pp. 214–ix and pp. 224–7.
Week x–Postwar Primitives
15	Anti-culture? Dubuffet, Pollock, and Premonitions of the Postmodern	Dubuffet, Jean. "Notes for the Well-Lettered." 1946. In [Harrison]. ———. "Crude Art Preferred to Cultural Art." 1949. In [Harrison]. Greenberg, Clement. "Modernist Painting." In [Frascina]. Guilbaut, Serge. "The New Adventures of the Avant-Garde in America." In [Frascina]. [Foster]. Vol. two, (Dubuffet) pp. 369–74 and (Pollock) pp. 387–91. Foster, Hal. Excerpt from "Postmodernism: A Preface." In The Anti-Artful: Essays on Postmodern Culture. The New Press, 2002, pp. ix–xii. ISBN: 9781565847422. Jameson, Fredric. Extract from "Conclusion." In Postmodernism, or, the Cultural Logic of Late Commercialism. Verso Books, 1990. ISBN: 9780860913146.
Calendar week 11–Marketing Mass Culture
16	Robert Rauschenberg'southward Coca-Cola Programme / International Pop	Horkheimer, Max, and Theodor Due west. Adorno. "The Culture Manufacture: Enlightenment as Mass Deception." In Dialectic of Enlightenment. Translated by John Cumming. Continuum International Publishing Group, 1969. ISBN:9780826400932. Alloway, Lawrence. "The Arts and the Mass Media." 1958. In [Harrison]. Jones, Caroline A. "Coca-Cola Plan Or, How New York Stole the Soul of Giuseppe Panza." In Panza: The Legacy of a Collector. Written by the Museum of Contemporary Art. Museum of Contemporary Fine art, 1999. ISBN: 9780914357735. Hamilton, Richard. "For the Finest Art, Attempt Popular." 1961. In [Harrison]. [Foster]. Vol. 2, (Rauschenberg) pp. 406–ten, (Independent Group), pp. 423–eight, (Johns) pp. 442–eight and (Common cold War) 459–63.
17	The "Business concern Art Concern," Globalism vs. Globalization	Oldenburg, Claes. "Documents from The Store." 1961. In [Harrison]. "Andy Warhol: Interview with Cistron Swenson." 1963. In [Harrison]. "Roy Lichtenstein: Lecture to the College Art Association." 1964. In [Harrison]. Jones, Caroline A. "Globalism / Globalization." In Art and Globalization. Edited past James Elkins, Zhivka Valiavicharska, and Alice Kim. Penn State Press, 2011. ISBN: 9780271037172. Jameson, Fredric. "Periodizing the 60s." Social Text, no. nine/10, The 60's without Amends (1984): 178–209. Camnitzer, Luis. "Contemporary Colonial Art." In Conceptual Art: A Critical Anthology. Edited by Alexander Alberro and Blake Stimson. MIT Printing, 2000. ISBN: 9780262511179. [Preview with Google Books] Meireles, Cildo. "Insertions in Ideological Circuits." In Conceptual Art: A Critical Album. Edited by Alexander Alberro and Blake Stimson. MIT Printing, 2000. ISBN: 9780262511179. [Preview with Google Books]. [Foster]. Vol. ii, (Lichtenstein, Warhol, etc.) pp. 483–7, (Oldenburg) pp. 488–93 and (more Warhol) pp. 530–5.
Week 12–Simulation, Spectacle, & the Postmodern
18	Postmodernism, Spectacle, and Institutional Critique	Huyssen, Andreas. "Mapping the Postmodern." In After the Keen Divide: Modernism, Mass Culture, Postmodernism. ACLS Humanities E-Book, 2008. ISBN: 9781597405553. Steinbach, Haim, et al. "From Criticism to Complicity." 1986. In [Harrison]. Wodiczko, Krzysztof. "Public Projection." 1983. In [Harrison]. Debord, Guy. "Writings from the Situationist International." 1957–1961. In [Harrison]. Baudrillard, Jean. "The Hyper-realism of Simulation." 1976. In [Harrison].
xix	Postmodernism and Feminism	Huyssen, Andreas. "Mass Culture as Woman: Modernism's Other." In After the Great Divide: Modernism, Mass Culture, Postmodernism. ACLS Humanities E-Book, 2008. ISBN: 9781597405553. Owens, Craig. "The Discourse of Others: Feminists and Postmodernism." In Across Recognition: Representation, Power, and Culture. Edited by Scott Bryson, et al. University of California Printing, 1994. ISBN: 9780520077409. [Foster]. Vol. 2, (Baudrillard and artists) pp. 624–33, (Jameson and artists) pp. 640–3 and (appropriation) pp. 644–8.
Week 13–New Media & Biennial Civilisation
20	New Media / Mass Media / Sensory Reconfigurations	Jones, Caroline A. "The Server/User Mode: The Art of Olafur Eliasson." Artforum International 46, no. two (2007): 316–25. ———. Extract from "The Mediated Sensorium." In Sensorium: Embodied Feel, Engineering, and Contemporary Art. MIT Press, 2006. ISBN: 9780262101172.
21	Biennial Culture and the Aesthetics of Experience	Von Hantelmann, Dorothea. "Feel." In Carsten Höller: Experience. Skira Rizzoli, 2011. ISBN: 9780847837601. Moore, Jenny. "Future." In Carsten Höller: Feel. Skira Rizzoli, 2011. ISBN: 9780847837601. Smith, William S. "Optics." In Carsten Höller: Experience.  Skira Rizzoli, 2011. ISBN: 9780847837601. Celant, Germano. "Participation." In Carsten Höller: Feel. Skira Rizzoli, 2011. ISBN: 9780847837601. Jones, Caroline A. "Troubled Waters: Caroline A. Jones on Globalism and the Venice Biennale." Artforum International 44, no. half dozen (2006): 91–two. [Foster]. Vol. ii, pp. 758–69.
Calendar week 14–Present Strategies
22	Present-day Strategies Vis-a-vis Art and Mass Culture Invitee lecturers: Star TAs, Rebecca Uchill and Niko Vicario!	Spiegler, Marc. "When Human Beings Are the Canvas." (PDF). Art News 102, no. 6 (2003): 94–7. Fraser, Andrea. "From the Critique of Institutions to an Establishment of Critique." (PDF) Artforum 44, no. ane (2005): 278–83. Riding, Alan. "Alas, Poor Art Marketplace: A Multimillion-Dollar Head Instance," New York Times, June 13, 2007. Thompson, Nato, and Gregory Sholette, eds. "Foreword to the Second Printing." In The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. second ed. MASS MoCA, and MIT Press, 2006. ISBN: 9780262201506. Thompson, Nato. "Trespassing Relevance." In The Interventionists: Users' Manual for the Artistic Disruption of Everyday Life. 2nd ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Press, 2006. ISBN: 9780262201506. "Krzysztof Wodiczko." In The Interventionists: Users' Manual for the Artistic Disruption of Everyday Life. second ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Press, 2006. ISBN: 9780262201506. "Michael Rakowitz." In The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. 2nd ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Press, 2006. ISBN: 9780262201506. "The Reverend Baton." In The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. 2nd ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Press, 2006. ISBN: 9780262201506. "The Yes Men." In The Interventionists: Users' Manual for the Artistic Disruption of Everyday Life. 2nd ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Press, 2006. ISBN: 9780262201506. "The Atlas Group." In The Interventionists: Users' Transmission for the Creative Disruption of Everyday Life. 2nd ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Printing, 2006. ISBN: 9780262201506. "Critical Fine art Ensemble with Beatriz da Costa." In The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. 2d ed. Edited by Nato Thompson and Gregory Sholette. MASS MoCA, and MIT Printing, 2006. ISBN: 9780262201506. Lambert-Beatty, Carrie. "Twelve Miles: Boundaries of the New Fine art/Activism." (PDF) Signs: Periodical of Women in Culture and Club 33, no. 2 (2008): 309–28.
23	Concluding class: concluding discussion of class themes, review for exam, and give-and-take of student research paper abstracts.	No readings

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